![]() Raspravlja se i o pregovorima manjine i većine oko vlasništva nad folklornim tradicijama, produkciji baštine unutar multietničke glazbene tradicije predložene za međunarodni registar nematerijalne kulturne baštine te o primjeru višeznačnosti manjinske etničke glazbe. Vrhuncem su im festivali, pa im je posvećeno i najviše pozornosti. Sažetak: Članak je zamišljen kao putovanje glazbenim krajolicima nacionalnih manjina u Hrvatskoj. In the conclusion the author argues that Croatia’s journey is about parallel multicultural trajectories in a country on the road from its past towards new integrations, in between European multicultural nationalism and local heritage of multicultural exchange beyond compartmentalized ethnic and cultural categories. All three of these points serve as fragmentary backstage rehearsals for performances of multiculturality. This is followed by three stopping points: the negotiation of ownership as regards minority and majority cultural expression the heritage production, within a multi-ethnic music tradition, proposed for an international listing of intangible cultural heritage and the vagueness of an ethnic minority music. The peaks on this landscape are festivals, and are therefore in the focus of attention. The article is composed as a journey through the landscape of the musics of ethnic minorities in Croatia. ![]()
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